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Glass Tiger
- Alan Frew |
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Glass
Tiger is a staple of Canadian of the Canadian Music scene. They are
a band that never went away after the 80's and took a shot at
resurrection in the 21st century, as we are seeing with many bands
in this new musical era. What you have with Glass Tiger, is a band
that over the years, matured, pursued many different avenues of the
music and entertainment business. You can catch Alan Frew on the
stage in Toronto, in a rendition of Snow White and the Group of
Seven, with former Canadian Idols, Billy Klippert, Gary Beals, and
winner of season #1 Ryan Malcolm. Sam Reid has been a collaborator
with great talents like Rik Emmett. And now, in this new century,
Glass Tiger has brought new music to the table. I was lucky enough
to get some time in with Alan Frew, and we had a wonderful, if not
too short discussion about himself, and Glass Tiger. Read on and
enjoy!!! |
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Toe: So Alan,
welcome. Festival season is winding down in Canada. Did Glass Tiger
get involved with any shows over the summer?
Alan: We did a ton of gigs over the summer. The funny thing is, that
once we start playing a bunch, I forget which ones we have done. We
played a lot in Saskatchewan, Edmonton. Did a few club dates, and of
course played for the Canada Day celebration.
Toe: Let's go way back here, and talk a bit about the predecessor
of Glass Tiger, Tokyo. What were the gigging days of that band like?
Alan: The animal was very much the same. You are still hungry, and
looking for success. We were literally living hand to mouth. You
have bar owners that do not want to pay you after a gig. One night
you are in Chatham, the next in Niagara Falls. They did not really
care that there was a lot of distance between gigs, and that the
funds to get there were minimal. They just wanted you there to
perform, and help them sell liquor. Not really different than how it
is for new bands these days.
Toe: Although in the early days, with Tokyo bar owners wanted
bands playing top 40 covers, did you ever perform any of the music
that made it to the Thin Red Line album with Glass Tiger?
Alan: We sure did. We did songs like You're what I look For,
Ecstasy, and Thin Red Line. But of course, the bar owners did not
want bands coming in playing originals. They were out to sell beer,
and wanted whatever was on the Top 40 charts. So, when we would
submit a set list, we would add a song like You're What I Look For,
and say it was by a great band out of England called Thin Red Line.
We would perform them, and people would love it. It kept everyone
happy.
Toe: What was it like working with Jim Vallance on your debut
record? What kind of impact did he have on the production of Thin
Red Line?
Alan: He is brilliant. A consummate musician. He was able to learn
from us as well. We had an amazing relationship in the studio. He
had the ability to help us with arrangement and edit songs. Be able
to point out things like "You do not need that bridge there". A
master.
Toe: How much did life change overnight, with the Thin Red Line
album going 4 times Platinum in Canada as well as Gold in the US?
Alan: Part of you is in awe. Personally, I had been involved in the
bar scene for about 10 years at that point. I felt that good hard
work ethic, things will eventually take off. Part of it is payoff
for solid work. But then, having jets flying you around, and crews
working for you, it blows your mind.
Toe: Michael Hanson, the original drummer in Glass Tiger made a
hasty exit from the band. Why did he leave so quickly, with Tiger on
such an upward trend?
Alan: Michael's stay in the band was short, as he was in the wrong
sort of position within the band for himself. Michael was foremost a
singer and front-man. He felt he needed to be a front-man, and we
did not hold him back.
Toe: It seems there are a lot of bands from the 80's staging some
sort of reunion or comeback over the last couple of years. Yet, with
Glass Tiger, it seems more like a rebirth, or a project that has
never really ended, but evolved. What is your view on that?
Alan: This band has never vanished or become redundant. No one had
to lift us off the shelf for a nostalgic go-round. I have 2 solo
albums, I have written themes for the World Hockey Championships,
and have a corporate band to write music. The other guys have other
projects and interests outside of Glass Tiger. As a band, we have
always remained friends. Tiger has always been out doing an
occasional date. There is no pressure, and things feel the same now
as it did in the beginning.
Toe: Alan, I read a quote from you once long ago. When you were
in medical school, and being pressured to live the life of a
musician, did you actually say "I will join your band, but I will
never go out on the road"? If so, all these years later, what do you
have to say for yourself?
Alan: (laughs) The famous last words. It was a result of the classic
case of student loans to pay off, and giving up jobs. I had a great
game plan. I wanted to become a surgeon in fact. Then, Glass Tiger
hit, and I went in an entirely different direction.
Toe: Will we be seeing you out West soon?
Alan: We played the Commodore out there not too long ago, in the
Spring. It was one of the best gigs of my life. Like I said before,
we are not rehashing the past. We found out that we had sold the
place out. There was such a mixed group of people in the room that
night. you could look out in the crowd and see these 20-22 year
olds, and they were loving the music. They were totally into it.
While we were in the dressing room, Jim Vallance and his wife came
in to say hello and all that. But they had to apologize that they
would only be there for a few tunes, and would have to leave. they
wound up staying for the whole show! He came back after and told us
it was one of the best gigs he had ever seen.
Toe: Glass Tiger released a new CD and DVD this year, both named
No Turning back. The CD is a compilation of your greatest hits, as
well as two new tracks, No Turning Back and Give It Away. The DVD is
a compilation of your video's with some great humour involved in the
commentary by the band. Was it difficult to select what material
went to these projects?
Alan: Well, the previous videos were not in digital format. So, it
made sense to move everything over to digital. The song selection
was not too hard to come up with. 2005 was the 25th anniversary of
Glass Tiger, and we really wanted to see if people would still be
interested in this stuff, and how they would respond. It worked out
very well for us. Now, we are inspired to go back into the studio,
perhaps this winter, and record a new CD as well as perhaps a new
DVD.
Toe: I am going to give my honest opinion on the two new tracks
that are on the CD and DVD. Feel free to disagree with me if I am
off base. I feel a sense of a band that is grown up, moving forward,
with some great hooks and melodies being written, right up there on
par with bands like U2. Not that it sounds like U2, but the anthemic
nature of the choruses, the hooks, are great, as well as the
production.
Alan: What I hear myself, is a band that is exactly where it should
be right now. Mature, and finely tuned. I agree with you fully.
Toe: The DVD. I suggest people watch it WITH commentary turned on
the first time .It gives a whole new perspective of the attitude of
the band, the humour and stories. How long did it take to go through
the whole set of videos to do the commentary? Nice pizza delivery by
the way (you have to watch the DVD)
Alan: Surprisingly, not very long. It was like 4 guys sitting on the
couch with a case of beer shooting the shit. We did a few edits of
the first couple of vids, as we seemed to warm up and get more
in-depth and less forced after a few videos. A really good time
actually.
Toe: What is next Alan. As Glass Tiger and in your solo career?
Alan: Well, there is a play beginning in November named Snow White
and the Group of Seven. That will take me into December, and then,
perhaps back to the studio for a new album.
Toe: Alan, thank you for taking the time to talk to me. I hope we
can do this again soon. Good luck in all of your endeavors.
Alan: Thank you, and you are welcome
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